22 Oct

We come to praise Eartheater, not to bury Eartheater.


Eartheater cannot be buried – not now, not when Eartheater is very much alive, as alive and alienated as anything currently or previously existing on the planet, as evidenced by “RIP Chrysalis.” It’s not only Eartheater’s second standout release this year (both coming down from the holy Hausu Mountain range), but is our present time’s ultimate, unassailable high doctrine of high weirdness and, frankly, freaky shit. This is the real and imaginary Maginot line of sonic mutation. It’s glorious and there’s nothing like it.

“I’ve got time,” declares Eartheater in one of the most instantly understandable moments of “RIP Chrysalis.” “RIP Chrysalis” is not a wish to “rest in peace”; “RIP Chrysalis” is an action phrase, where “RIP” is a verb and Eartheater is ripping, clawing and tearing at all that needs to be torn apart – this chrysalis, all traps, your delusions, all confinement, all conception. Rip, rip, rip, rip. Highest possible recommendation.

“RIP Chrysalis” is available now from Hausu Mountain.

“Fixed ideas are like a wisp of cloud or smoke, but nonetheless people find themselves blocked or captured by these. You would laugh if you saw someone tripped by a cloud, or if someone claimed that they were imprisoned by the air. But, in fact, people are endlessly being trapped by things no more substantial than air or clouds. They make a wall with their mind, and then it imprisons them. Inherently, there is no wall or anything to trip over. These things are mirages they’ve created from the thoughts they gave rise to” – Daehaeng Kun Sunim 


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